Check with your grandparents before you decide what you think!

Singular Things

This is the third in a series of posts about images of refugees. For the first post, click here. For the second, click here.

Photographs of refugees on land often work to make both the refugees themselves and the landscapes they’re walking on interchangeable—so many huddled figures trudging across so many featureless bits of countryside. My last post explored some of the reasons for this: they’re partly to do with the choices that picture editors make, and partly to do with the standard formats of newspapers or news magazines and the cameras, lenses, and film that were typically used to take the photos that appeared in them. (Only rarely do refugees’ own views or choices come into it.) And in the post before that I wrote, more briefly, about the typical news photograph of a group of refugees in flight, burdened with their possessions. The aesthetic roots of…

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